
[01/13/2016] : love
Pauline Kael of the New Yorker described 1965 Marco Bellocchio’s first film as, “one of the most astonishing directorial debuts in the history of movies.” The deadpan precision of Fists in the Pocket—a teenager plans the murders of his entire family—functions as social satire and displays the pitch-perfect control that signaled Bellocchio’s style and was […]
[01/13/2016] : love
[01/13/2016] : love
[01/13/2016] : love
[01/13/2016] : love
[01/13/2016] : love
[01/13/2016] : love
[06/18/2025] : Television
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