ART interview by OLIVIER ZAHM AND JÉRÔME SANS portrait by FABIOLA QUIROZ london-based mexican artist stefan brüggemann revisits the fading history of minimalist and conceptual art through a street filter, combining muralism, graffiti, protest, and a cynical post-marxist critique of capitalism JÉRÔME SANS — How would you define your work? Conceptual, working with language, or maybe political? STEFAN BRÜGGEMANN — If I had to put a label on it, I would say conceptual pop or pop minimalism. Obviously, I’m influenced by the conceptual strategies of the 1960s and ’70s, but in my case, it’s different because I’m not a Marxist — I’m a capitalist. I like to play the game of the capitalist structure that we play today. I really like the idea of how language resonates very fast in this society. Also, conceptual pop and pop minimalism don’t make sense, so I like that. OLIVIER ZAHM — I find…