MUSIC interview and photography by OLIVIER ZAHM a true anarchist in the conservative world of classical music, and now one of its most in-demand names, the russia-based greek maestro is reinventing the role of the conductor OLIVIER ZAHM — So, Teodor, you were saying that sometimes you can feel disappointed in your performance after a concert? TEODOR CURRENTZIS — Yes, it’s not the physical element of making music — it’s something that has to do with other powers that come into play while making it. It’s kind of a game of seduction, attracting different dimensions to the main plot of the physical dimension, which you’re never able to control 100%. You prepare all the text, you rehearse, you do everything, but it’s not guaranteed that you’re going to fly in the dimensions that open up this space — the angelic space, let’s say, where the angels are singing. OLIVIER ZAHM — What do you mean…