EDOARDO BONASPETTI story #3 by MAURIZIO CATTELAN and MARTA PAPINI portrait by ALESSIO COSTANTINO MAURIZIO CATTELAN — How did your publishing venture get started? EDOARDO BONASPETTI — It all started with my first curating job in Milan. It was a group exhibition of young artists, and over the course of that show, I started thinking about what to do next. Since Italy probably has more curators than artists, and I’d studied communications and journalism, the idea came naturally. So, we put out the first couple of issues just to see how it would go. MAURIZIO CATTELAN — Was another magazine needed at the time? Why? EDOARDO BONASPETTI — Italy has quite a rich tradition of art magazines. And when we first came out, as I recall, there were about five or six others, but the difference always lies in your individual take on what’s out there, and how that…