THE GERMAN ART CURATOR’S MISSION AT PERFORMANCE SPACE IS TO MAINTAIN A VITAL PIECE OF NEW YORK ART HISTORY. ARTWORK BY JACK SMITH INTERVIEW BY BOBBI SALVÖR MENUEZ PORTRAIT BY ANGALIS FIELD BOBBI SALVÖR MENUEZ — When did you first come to New York, and what brought you here? JENNY SCHLENZKA — This is actually my 20th year in New York. I came in 2002. I had a scholarship at NYU, and I was in an interdisciplinary program where you could take classes in the humanities. I also took a documentary film class at Tisch [School of the Arts] and even a class with Derrida, who was a guest professor. New York, I remember, was overwhelming at first. BOBBI SALVÖR MENUEZ — And before coming to New York, what were some of your first experiences of performance art? JENNY SCHLENZKA — Well, I’m from Berlin, where there’s a strong theater…
JENNY SCHLENZKA PORTRAIT BY ANGALIS FIELD
JACK SMITH, UNTITLED, C.1970S, SCAN OF 35MM SLIDE EXCERPTED FROM SLIDESHOW (PLASTER FOUNDATION OF ATLANTIS)
JACK SMITH, UNTITLED, N.D., SCAN OF 35MM SLIDE EXCERPTED FROM SLIDESHOW (PHOTO SHOOT IN WHICH SMITH POSES WITH RENT CHECKS)
JACK SMITH, UNTITLED, N.D., SCANS OF 35MM SLIDES EXCERPTED FROM SLIDESHOW (PHOTO SHOOT IN WHICH SMITH POSES WITH RENT CHECKS)