INTERVIEW BY NATASHA STAGG PORTRAIT BY JAMES EMMERMAN EMERGING ARTIST EBECHO MUSLIMOVA CREATED FATEBE, a SHAMELESS AND SEXUALLY LIBERATED ALTER EGO. NATASHA STAGG — When did you first arrive in New York? EBECHO MUSLIMOVA — I got to New York in November of ’91, a month before my seventh birthday and a couple of months after the Soviet Union fell. But my mom came in ’89, and then there was the whole political shitshow. We finally got out in ’91 while there was a little opening. We were very lucky because afterward, the gates got shut again, and people were separated for way longer. NATASHA STAGG — And you came from where? EBECHO MUSLIMOVA — I was born in Dagestan, moved to St. Petersburg, and then came here. We came straight from JFK Airport to Inwood, uptown. That was the first apartment. And we came really late at night, so…
EBECHO MUSLIMOVA, FATEBE THEATER MURAL, 2021, ACRYLIC ON WALL, DIMENSIONS VARIABLE, FROM THE EXHIBITION “FATEBE DIGEST,” DAVID ZWIRNER, LONDON
EBECHO MUSLIMOVA, FATEBE BACKSTAGE, 2022, OIL ON CANVAS, 84 X 73 INCHES, COURTESY OF THE ARTIST AND GALERIE MARIA BERNHEIM
EBECHO MUSLIMOVA, FATEBE SPECERE MURAL, 2022, ACRYLIC ON WALL AND OIL ON CANVAS STAGE MUSLIN, HANGING ROD, CABLES, WALL PAINTING 204 3/4 X 315 INCHES, PAINTING ON CANVAS 90 1/2 X 66 7/8 INCHES, FROM THE EXHIBITION “FUN FEMINISM,” KUNSTMUSEUM BASEL, 2022, COURTESY OF THE ARTIST AND GALERIE MARIA BERNHEIM, PHOTO GINA FOLLY
EBECHO MUSLIMOVA PORTRAIT BY JAMES EMMERMAN