ART
text by CLAIRE FONTAINE
writing and text-based pieces play a central role in the work of claire fontaine, a collective feminist artist created in paris in 2004 by james thornhill and fulvia carnevale
Love is gravity’s enemy. It gives people wings. It also kills women, gays, queers, and trans. (The numbers are just incredible)…
…Love is useful. So much of our mental balance, productivity, self-esteem depends on love. And we don’t learn it anywhere: there is no love education. All around us are only patriarchy, racism, capitalism, and other forms of selective empathy and spiritual illiteracy. Above all, there is the wide political spectrum of toxic masculinity, with its infancy without perspective of adulthood, and toddler-like ignorance of relational wisdom and shared pleasure. Toxic masculinity can only terrorize or be terrorized; it cannot be transformed, converted, convinced.
The class and racial divides between heterosexual women only make their solitude deeper. Money wasn’t made for them; it doesn’t bring them happiness, but still they need it.
The rich man changes the laws to his own advantage, shapes the world according to his perverse image.
The rich woman buys herself expensive clothes and improves her looks through facelifts, Botox, eyelid surgery, neck lifts, lip augmentation, vaginal rejuvenation, liposuction, endoscopic surgery, locals, regional flaps, bone cartilage, soft tissue, musculocutaneous flaps, microvascular flaps, free flaps, split-thickness skin grafts, full-thickness skin grafts, composite skin grafts, tissue expansion, body contouring, rhinoplasty, tummy tucks, buttock augmentation, spider-vein treatments, buttock lifts, thigh lifts, fat transfer, upper arm lifts, lower body lifts, upper body lifts, nonsurgical fat reduction, breast augmentation, breast reduction, breast lifts, breast revision, breast reconstruction, facial rejuvenation, plastic surgery after dramatic weight loss, mommy makeovers, cellulite treatments, laser hair removal, chemical peels, laser skin resurfacing, dermabrasion, microdermabrasion, eyelash enhancement, nonsurgical skin tightening, hair transplants, permanent make-up, hand rejuvenation, perspiration reduction, IPL photorejuvenation, Belkyra, and Teosyal RHA I, II, III, and IV, which, unlike other procedures, will allow the women who submit to it to express the full range of human emotions — if the advertisement is truthful.
Because when love is conditional, there is always room for improvement, especially if we can pay for it. And women’s well-being is something in-between: an unexplored wasteland and a militarized territory, hard to access, and dangerously revolutionary (the mechanisms of the female orgasm and the anatomy of women’s genitals were only fully uncovered in 1998 by Australian urologist Helen O’Connell, who was the first scientist to clearly identify the internal parts of the clitoris and show its complexity).
Self-objectification can be a never-ending and painful process, a residue of when women couldn’t own anything and were owned themselves. As Carla Lonzi explains in Let’s Spit on Hegel (1970): “Historical materialism misses the emotional element that lay behind the transition to private property. It is there that we shall look in order to identify the archetype of property, the very first object conceived by man: the sexual object. By discarding his first prey from man’s unconscious, woman can unblock the origins of pathological possessiveness.”
We know that love and private property make an unhappy marriage, but we still don’t know any love without jealousy and possession. We don’t know the horizontal, accepting, empowering, intelligent, collective love that we need.
Women have been entrusted with the unpaid labor of love. Availability has been and remains women’s condition for being loved. The love they get in return is gratitude for their slavery; it stems from the fear of being abandoned, from dependency — it’s not an emancipating love for the ones who give it, nor for the ones who receive it.
Women must not only refuse what they have been given, but they also have to refuse what has been refused to them: equality, rights, respect. Like racialized and discriminated-against people, they don’t need any of it — they need to be loved because if they were loved, they wouldn’t have to beg for these things.
Women have the problem, not only of having to reject what they have been told about love and themselves, of finding ways of communicating and preventing all the terrible things that men do to them, but also of having to forgive all of it, to be able to continue living and believing in a love that can be reinvented and taught to men.
There is no way in which they can get rid of their “enemy”: the “enemy” is the person whose love they have to win and secure. (The simple fact that they still want it is problematic…) In short, the work of heterosexual women is never done. Above all, it’s a headfuck under the current socioeconomic conditions: impossible in a capitalist society where they are busy working like men but paid less, doing housework when they get home, and taking care of the children. That leaves little time to explore one’s subconscious, reinvent human relationships, and forgive the unforgivable (especially if, in the meantime, they need to take care of themselves to stay young and desirable).
The day only has 24 hours, and if patriarchy doesn’t end, love between men and women will have to be reinvented in the 25th hour.
END
[Table of contents]
Edito
by Olivier Zahm
true love
text by Glenn O'Brien
library of love
text by Paul B. Preciado
cover #2 aa bronson
interview by Jérôme Sans
jenna gribbon
interview
no ordinary love
text by Brad Phillips
femmunism
text by McKenzie Wark
somaya critchlow
interview
love comes first
text by Donatien Grau
david hockney
interview
cover #15 francis picabia
text by Arnauld Pierre
sarah lucas
interview
the 25th hour
text by Claire Fontaine
paris
by Olivier Zahm
cover #3 balenciaga f/w 20/21
photography by Juergen Teller
london
by Benedict Brink
new york
by Zora Sicher
aa bronson
interview
nevine mahmoud
interview
cover #1 jenna gribbon
interview by Olivier Zahm
nicolas party
interview
cover #7 givenchy matthew williams
interview by Olivier Zahm
israel fernández
by Suffo Moncloa
balenciaga f/w 2020/21
by Juergen Teller
ed atkins
interview
bertrand boutron
interview
barbara t. smith
text
nordstrom
by Jason Rodgers
cover #11 au départ
photography by Olivier Zahm
dior cruise 2021
by Laura Coulson
gucci f/w 2020/21
by Bruce Gilden
urs fischer
interview
cover #5 dior cruise 2021
photography by Laura Coulson
pierre cardin
interview
marlon magnée
interview
givenchy matthew williams
by Olivier Zahm
regina demina
interview
hen yanni and imre van opstal
interview
hans bellmer
portfolio
gender
by Katerina Jebb
cover #10 virgil abloh
interview by Olivier Zahm
saint laurent f/w 2020/21
by Katja Rahlwes
francesco vezzoli
interview
fendi f/w 2020/21
by Brett Lloyd
virgil abloh
by Carlijn Jacobs
sick of love
by Pierre-Ange Carlotti
cover #14 louis vuitton f/w 2020/21
photography by Casper Sejersen
au départ
by Olivier Zahm
camille henrot
interview
kenzo f/w 2020/21
by Olivier Zahm
cover #4 nordstrom
photography by Jason Rodgers
charles de vilmorin
interview
prada f/w 2020/21
by Cedric Buchet
chanel cruise 2021
by Dario Catellani
harris reed
interview
emotional dependence: a mystery solved
text by Natacha Calestrémé
louis vuitton f/w 2020/21
by Casper Sejersen
takuro kuwata
text by Jeff Rian
marie sauvage
interview
cover #6 gucci f/w 2020/21
photography by Bruce Gilden
vincent darré
interview
philippe parreno
interview
pygmalion and your love life
text by Alain de Botton
amanda charchian
interview
cover #13 kenzo f/w 2020/21
interview and photography by Olivier Zahm
my love stories
text by Simon Liberati
paul mccarthy
portfolio
love letters
by Katerina Jebb
cover #9 fendi f/w 2020/21
photography by Brett Lloyd
french kiss
text by Frédéric Beigbeder
kabul, day for night
short story by Anna Dubosc
david horvitz
portfolio
love is…
by Ola Rindal
laila gohar
interview
natalie ball
interview
love, a domestic mystery
text by Emanuele Coccia
that’s what love is
text by Alejandro Jodorowsky
rachael allen
poetry
the art instinct: beauty, pleasure, and love
text by Jeff Rian
cover #8 saint laurent f/w 2020/21
photography by Katja Rahlwes
deana lawson
interview
cover #12 chanel cruise 2021
photography by Dario Catellani
francis picabia
portfolio
song
by Allen Ginsberg
cover #16 dash snow
by Dash Snow
black lives matter
tribute by Maurizio Cattelan
valentino
by Olivier Zahm